Poverty and virtue adorn the face better than pearls
Chrysostom is addressing the catechumens about reforming their habits, and has just urged them to bridle the tongue; now he turns to the poor artisan and to women's adornment.
Are you a craftsman? Sit at your work and sing psalms. But you do not want to sing psalms with your mouth? Do it with your mind. A psalm is a great companion. You will suffer nothing terrible from this, but you will be able to sit in your workshop as if in a monastery. For it is not the suitability of places but the discipline of our habits that gives us quiet. Paul, at any rate, worked at his trade in a workshop and suffered no harm to his virtue. So do not say, "How will I be able to practice philosophy when I am a craftsman and poor?" For this very reason you will be able to practice philosophy all the more. Poverty is more suited to piety than wealth, and work than idleness, just as wealth becomes a hindrance to those who are not careful. For when you need to let go of anger, to quench envy, to relax your temper, to show prayer, to show gentleness and meekness, to show kindness and love, where could poverty be an obstacle? These things are not accomplished by paying out silver, but by showing a right choice. Almsgiving is the thing that most requires money, but even this shone more brightly through poverty. For the woman who put in two obols was poorer than all people, and she surpassed them all (Mark 12:42). Let us not, then, think wealth is something great, nor consider gold better than clay. For the honor of a material comes not from its nature but from our own thinking. If someone examined carefully, iron is far more necessary than gold. Gold brings no need into life, but iron has furnished most of our needs, serving countless crafts. And why do I compare gold and iron? These ordinary stones are more necessary than precious stones. From those nothing useful could come, but from these houses, walls, and cities have been built. But show me what gain could come from these pearls—or rather, what harm could not come from them? For so that you may wear a single pearl, thousands of poor people are strangled by hunger. What defense will you find then? What pardon? Do you want to adorn your face? Not with pearls, but with self-control and dignity. That is how your husband will see your face as more graceful. That other adornment usually casts suspicion of jealousy, and leads to enmities, quarrels, and fights. For nothing is more unpleasant than a face that is suspected. But the adornment of almsgiving and self-control casts out every evil suspicion and draws your husband to you more powerfully than any bond. For the natural beauty of a face does not make it appear lovely as much as the disposition of the one looking at it does. And nothing creates that disposition as much as self-control and dignity. So even if a woman is beautiful, if her husband is hostile toward her, she will seem uglier than everyone to him. And if a woman happens not to be attractive, but her husband is kindly disposed toward her, she will seem more beautiful than everyone to him. For the judgments are made not in the nature of the things seen, but in the disposition of those who see. Adorn your face, then, with self-control, dignity, almsgiving, love for humanity, love, kindness toward your husband, gentleness, meekness, forbearance. These are the colors of virtue. Through these you will draw angels, not human lovers, to yourself. Through these you have God himself as your admirer. And when God approves, he will certainly subject your husband to you as well.
Greek
Χειροτέχνης εἶ; καθεζόμενος ψάλλε· ἀλλ' οὐ βούλει τῷ στόματι ψάλλειν; τῇ διανοίᾳ τοῦτο ποίει· μέγας συνόμιλος ὁ ψαλμός. Οὐδὲν ἐντεῦθεν ὑποστήσῃ δεινὸν, ἀλλ' ὡς ἐν μοναστηρίῳ ἐν τῷ ἐργαστηρίῳ δυνήσῃ καθέζεσθαι· οὐ γὰρ τόπων ἐπιτηδειότης, ἀλλὰ τρόπων ἀκρίβεια τὴν ἡσυχίαν ἡμῖν παρέξεται. Παῦλος γοῦν ἐν ἐργαστηρίῳ τῇ τέχνῃ κεχρημένος, οὐδὲν εἰς τὴν οἰκείαν ἀρετὴν παρεβλάβη. Μὴ τοίνυν λέγε σύ· Πῶς δυνήσομαι χειροτέχνης ὢν καὶ πένης φιλοσοφεῖν; Διὰ τοῦτο μὲν οὖν μάλιστα δυνήσῃ φιλοσοφεῖν. Καὶ γὰρ πενία πλούτου, καὶ ἐργασία ἀργίας πρὸς εὐλάβειαν ἡμῖν ἐπιτηδειότερον, ὡς ὅ γε πλοῦτος τοῖς μὴ προσέχουσι καὶ ἐμπόδιον γίνεται. Ὅταν γὰρ ὀργὴν δέῃ ἀφεῖναι, ὅταν σβέσαι φθόνον, ὅταν χαλᾶσαι θυμὸν, ὅταν εὐχὴν ἐπιδείξασθαι, ὅταν ἐπιείκειαν καὶ πραότητα, ὅταν φιλοφροσύνην καὶ ἀγάπην, ποῦ γένοιτ' ἂν κώλυμα ἡ πενία; Οὐ γὰρ ἀργύριον καταβαλόντας ταῦτα ἀνύσαι ἔστιν, ἀλλὰ προαίρεσιν ὀρθὴν ἐπιδειξαμένους. Ἐλεημοσύνη μάλιστά ἐστιν ἡ χρημάτων δεομένη, ἀλλὰ καὶ αὐτὴ διὰ τῆς πενίας μειζόνως ἐξέλαμψε· καὶ γὰρ ἡ τοὺς δύο ὀβολοὺς καταβαλοῦσα, ἁπάντων ἀνθρώπων ἦν πενεστέρα, καὶ πάντας ὑπερηκόντισε. Μὴ τοίνυν μέγα τι νομίζωμεν εἶναι πλοῦτον, μηδὲ πηλοῦ βελτίονα εἶναι τὸν χρυσὸν λογιζώμεθα· ἡ γὰρ τιμὴ τῆς ὕλης οὐκ ἀπὸ τῆς φύσεως, ἀλλ' ἀπὸ τῆς ἡμετέρας διανοίας ἐστίν. Εἰ γάρ τις ἀκριβῶς ἐξετάσειε, πολὺ τοῦ χρυσοῦ σίδηρος ἀναγκαιότερος· ὁ μὲν γὰρ εἰς τὸν βίον οὐδεμίαν εἰσάγει χρείαν, οὗτος δὲ τὸ πλέον ἡμῖν κατεσκεύασε τῆς χρείας μυρίαις τέχναις ὑπηρετούμενος. Καὶ τί λέγω χρυσοῦ καὶ σιδήρου σύγκρισιν; τῶν γὰρ πολυτελῶν λίθων ἀναγκαιότεροι οἱ λίθοι οὗτοι· ἐξ ἐκείνων μὲν γὰρ οὐδὲν ἂν γένοιτο χρηστὸν, ἀπὸ δὲ τούτων οἰκίαι τε καὶ τείχη καὶ πόλεις ἔστησαν. Σὺ δέ μοι δεῖξον, τί τὸ κέρδος ἀπὸ τῶν μαργαριτῶν γένοιτ' ἂν τούτων, μᾶλλον δὲ ποῖον οὐκ ἂν γένοιτο βλάβος; Καὶ γὰρ ἵνα σὺ κόκκον ἕνα φορέσῃς, μυρίοι τῷ λιμῷ πένητες ἄγχονται· ποίας οὖν ἀπολογίας τεύξῃ; τίνος συγγνώμης; Βούλει κοσμῆσαι τὸ πρόσωπον; μὴ μαργαρίταις, ἀλλὰ σωφροσύνῃ καὶ σεμνότητι· οὕτω χαριεστέραν ὄψεται τὴν ὄψιν ὁ ἀνήρ. Ἐκεῖνος μὲν γὰρ ὁ κόσμος καὶ εἰς ζηλοτυπίας ὑποψίαν ἐμβάλλειν εἴωθεν καὶ εἰς ἔχθρας καὶ φιλονεικίας καὶ μάχας· οὐδὲν γὰρ ὄψεως, ὑποπτευομένης ἀηδέστερον· ὁ δὲ τῆς ἐλεημοσύνης καὶ σωφροσύνης κόσμος πᾶσαν μὲν ἐκβάλλει πονηρὰν ὑπόνοιαν, παντὸς δὲ δεσμοῦ σφοδρότερον ἐπισπάσεται τὸν σύνοικον. Οὐ γὰρ οὕτω κάλλους φύσις εὔμορφον ποιεῖ γίνεσθαι τὴν ὄψιν, ὡς ἡ τοῦ θεωροῦντος αὐτὴν διάθεσις· διάθεσιν δὲ οὐδὲν οὕτως, ὡς σωφροσύνη καὶ σεμνότης ποιεῖν εἴωθεν. Ὥστε κἂν εὔμορφος ᾖ τις, ἀπεχθῶς δὲ πρὸς αὐτὴν ὁ ἀνὴρ ἔχῃ, πάντων αἰσχροτέρα αὐτῷ φανεῖται· κἂν μὴ τύχῃ τις εὐπρεπὴς οὖσα, ἡδέως δὲ πρὸς αὐτὴν ὁ ἀνὴρ ἔχῃ, πάντων εὐμορφοτέρα αὐτῷ φανεῖται· οὐ γὰρ ἐν τῇ φύσει τῶν ὁρωμένων, ἀλλ' ἐν τῇ διαθέσει τῶν ὁρώντων αἱ ψῆφοι γίνονται. Καλλώπισον τοίνυν τὴν ὄψιν σωφροσύνῃ, σεμνότητι, ἐλεημοσύνῃ, φιλανθρωπίᾳ, ἀγάπῃ, τῇ περὶ τὸν ἄνδρα φιλοφροσύνῃ, ἐπιεικείᾳ, πραότητι, ἀνεξικακίᾳ· ταῦτα τῆς ἀρετῆς τὰ χρώματα· διὰ τούτων ἀγγέλους, οὐκ ἀνθρώπους ἐραστὰς ἐπισπάσῃ, διὰ τούτων αὐτὸν ἔχεις τὸν Θεὸν ἐπαινέτην· ὅταν δὲ ὁ Θεὸς ἀποδέξηται, καὶ τὸν ἄνδρα σοι ὑποτάξει πάντως.