Commentary on the Song of Songs, Liber I · §1

Let him kiss me — drama reminder; historical vs spiritual

Let him kiss me with the kisses of his mouth. We must remember what we warned in the preface: this little book, having the look of an epithalamium, is written in the manner of a drama. We said a drama is where certain persons are brought on who speak, and others sometimes come forward, others withdraw or approach, and so the whole is carried on in changes of persons. This, then, will be the form of the whole little book, and according to it a historical exposition will be fitted by us as we are able. But the spiritual understanding will, the Lord granting, be opened in what follows.

Latin

Osculetur me ab osculis oris sui. Meminisse oportet illud quod in praefatione praemonuimus, quia libellus hic epithalamii habens speciem dramatis in modum conscribitur. Drama autem esse diximus ubi certae personae introducuntur quae loquuntur, et aliae interdum superveniunt, aliae recedunt aut accedunt, et sic totum in mutationibus agitur personarum. Haec ergo erit totius libelli species, et secundum hanc pro viribus historica a nobis aptabitur expositio. Spiritalis vero intelligentia, Domino praestante, in sequentibus aperietur.

About this text

Origen’s Commentary on the Song of Songs, Liber I (Rufinus’s Latin). Complete on this page: §§1–20.

English follows Baehrens, Origenes Werke VIII (GCS 33, 1925), Rufinus’s Latin of Commentary Liber I. Lawson ACW 26 was not used as wording. This page is Liber I §§1–20 (closeout).

Witnesses

  • Copy-text Baehrens, Origenes Werke VIII = GCS 33 (1925) (Latin · Commentary Liber I §§1–20)

English is newly prepared for study from the stated edition. Open Latin on each section (or the Latin source witness link) for the source text. This is not a complete critical edition.