Homily on Envy · §4 · Basil of Caesarea

Envy harms the envious, not the envied

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Basil is describing how envy works in the envious person, arguing that it destroys the one who harbors it rather than the one it targets.

One thing, at least, someone might even praise in this evil: the more violently it is stirred, the more grievous it becomes to the one who possesses it. For just as arrows shot with force, when they strike something hard and resistant, rebound upon the one who hurled them, so the movements of envy, causing no grief to the person envied, become blows upon the envious person himself. For who, by grieving, ever diminished his neighbor's good things? He only consumed himself, wasting away with sorrow. Indeed, those sick with envy are thought to be more destructive than venomous creatures themselves. For those creatures inject their poison through a wound, and little by little the corruption eats away what has been bitten. But some suppose that the envious inflict harm through their eyes alone, so that vigorous bodies, blooming in the full flower of their youthful prime, waste away under their envious gaze, and their whole bulk is suddenly destroyed, as if a deadly stream flowed from the envious eyes, defiling and destroying. I dismiss that account as a popular tale brought into the women's quarters by old wives. But this I do say: the hateful demons, when they find choices suited to themselves, use those choices in every way for their own purpose, so that they even employ the eyes of envious people in the service of their own will. Do you not shudder, then, at making yourself the servant of a deadly demon? Do you welcome an evil through which you will become an enemy of those who have done no wrong, and an enemy of God, who is good and ungrudging? Let us flee this unbearable evil. It is the serpent's teaching, the demons' invention, the enemy's sowing, a down payment of punishment, a hindrance to piety, a road to Gehenna, a loss of the kingdom. The envious are somehow recognizable even by their very face. Their eye is dry and dim, their cheek downcast, their brow contracted; their soul is thrown into confusion by the passion, and does not hold the standard of truth in judging matters. No action done according to virtue is praiseworthy among them, no power of speech adorned with dignity and grace, nothing else that is admired and esteemed. Just as vultures are drawn to foul smells, flying over many meadows and many pleasant, fragrant places, and flies pass by what is healthy and hurry to a wound, so the envious do not even look at the splendors of life or the greatness of noble achievements, but fasten on what is rotten. And if someone happens to stumble—as often happens in human affairs—they make it public, and from such things they want to identify the man. They are like wicked painters who mark the forms of their subjects by a crooked nose, or by some scar or mutilation, whether from nature or from some accident. They are skilled at twisting things for the worse, at spitting on what is praiseworthy, and at slandering virtue by means of a neighboring vice. For they call the courageous man reckless, and the self-controlled man unfeeling; the just man harsh, the prudent man a schemer. They slander the magnificent man as vulgar, and the generous man as a spendthrift; again, the thrifty man they call miserly. In short, every form of virtue does not lack among them a name borrowed from the opposite vice.

Greek

Ἐκεῖνό γε μὴν κἂν ἐπαινέσειέ τις τοῦ κακοῦ, ὅτι ὅσῳπερ ἂν σφοδρότερος κινηθῇ, τοσούτῳ χαλεπώτερός ἐστι τῷ κεκτημένῳ. Ὥσπερ γὰρ τῶν βελῶν τὰ βιαίως φερό μενα, ἐπειδὰν καρτερῷ τινι καὶ ἀντιτύπῳ προσπέσῃ, ἐπὶ τὸν προέμενον ἐπανέρχεται· οὕτω καὶ τὰ τοῦ φθόνου κινήματα, οὐδὲν λυποῦντα τὸν βασκαινόμενον, αὐτοῦ πληγαὶ γίνονται τοῦ βασκάνου. Τίς γὰρ λυπούμενος ἠλάττωσέ ποτε τὰ τοῦ πλησίον καλά; Ἑαυτὸν μέντοι προσανάλωσε ταῖς λύπαις κατατηκόμενος. Ἤδη δὲ καὶ τῶν ἰοβόλων αὐτῶν ὀλεθριώτεροι εἶναι οἱ νοσοῦντες τὴν βασκανίαν ὑπονε νόηνται· εἴπερ τὰ μὲν διὰ πληγῆς ἐνίησι τὸν ἰὸν, καὶ κατὰ μικρὸν σηπεδόσι τὸ δηχθὲν ἐπινέμεται· τοὺς δὲ φθονερούς τινες οἴονται καὶ δι' ὀφθαλμῶν μόνων τὴν βλάβην ἐπιβάλλειν· ὥστε τὰ εὐεκτικὰ σώματα, καὶ ἐκ τῆς κατὰ τὴν ἡλικίαν ἀκμῆς εἰς τὴν ἄκραν ὥραν ὑπερανθήσαντα, τήκεσθαι παρ' αὐτῶν καταβασκαινόμενα, καὶ ὅλον ἀθρόως συναναι ρεῖσθαι τὸν ὄγκον, οἷον ῥεύματός τινος ὀλεθρίου ἐκ τῶν φθονερῶν ὀφθαλμῶν ἀποῤῥέοντος, καὶ λυμαινομένου καὶ διαφθείροντος. Ἐγὼ δὲ τοῦτον μὲν τὸν λόγον ἀποπέμπομαι, ὡς δημώδη καὶ τῇ γυναικωνίτιδι παρεισαχθέντα ὑπὸ γραϊδίων· ἐκεῖνο δέ φημι, ὅτι οἱ μισόκαλοι δαίμονες, ἐπειδὰν οἰκείας ἑαυτοῖς εὕρωσι προαιρέσεις, παντοίως αὐταῖς πρὸς τὸ ἴδιον ἀποκέχρηνται βούλημα· ὥστε καὶ τοῖς ὀφθαλμοῖς τῶν βασκάνων εἰς ὑπηρεσίαν χρῆσθαι τοῦ ἰδίου θελήματος. Εἶτα οὐ φρίσσεις ὑπηρέτην σεαυτὸν ποιῶν δαίμονος ὀλεθρίου, ἀλλ' ὑποδέχῃ κα κὸν, δι' οὗ ἐχθρὸς μὲν γενήσῃ τῶν μηδὲν ἀδικούντων, ἐχθρὸς δὲ Θεοῦ τοῦ ἀγαθοῦ καὶ ἀφθόνου; Φύγωμεν κακὸν ἀφόρητον. Ὄφεώς ἐστι δίδαγμα, δαιμόνων εὕρημα, ἐχθροῦ ἐπισπορὰ, ἀῤῥαβὼν κο λάσεως, ἐμπόδιον εὐσεβείας, ὁδὸς ἐπὶ γέενναν, στέ ρησις βασιλείας. Δῆλοι δέ πως καὶ αὐτῷ τῷ προσώπῳ τυγχάνουσιν οἱ φθονοῦντες. Ὄμμα τούτοις ξηρὸν καὶ ἀλαμπὲς, παρειὰ κατηφὴς, ὁφρὺς συμπε πτωκυῖα, ἡ ψυχὴ τῷ πάθει συγκεχυμένη, τὸ τῆς ἀληθείας κριτήριον ἐπὶ τῶν πραγμάτων οὐκ ἔχουσα. Οὐ πρᾶξις κατ' ἀρετὴν ἐπαινετὴ παρ' ἐκείνοις, οὐ λόγου δύναμις σεμνότητι κεκοσμημένη καὶ χάρισιν, οὐκ ἄλλο τι τῶν ζηλωτῶν καὶ περιβλέπτων οὐδέν. Ὥσπερ δὲ οἱ γῦπες πρὸς τὰ δυσώδη φέρονται, πολ λοὺς μὲν λειμῶνας, πολλοὺς δὲ ἡδεῖς καὶ εὐώδεις τόπους ὑπεριπτάμενοι· καὶ αἱ μυῖαι τὸ μὲν ὑγιαῖνον παρατρέχουσι, πρὸς δὲ τὸ ἕλκος ἐπείγονται· οὕτως οἱ βάσκανοι τὰς μὲν τοῦ βίου λαμπρότητας καὶ τὰ μεγέθη τῶν κατορθουμένων οὐδὲ προσβλέπουσι, τοῖς δὲ σαθροῖς ἐπιτίθενται· κἄν τι προσπταῖσαι συμβῇ, οἷα πολλὰ τὰ ἀνθρώπινα, τοῦτο δημοσιεύουσι, καὶ ἀπὸ τούτων τοὺς ἄνδρας γνωρίζειν βούλονται· ὥσπερ οἱ πονηροὶ τῶν ζωγράφων ἀπὸ τῆς ἐνδιαστρόφου ῥινὸς, ἢ ἀπό τινος οὐλῆς ἢ κολοβώματος, ἐκ φύσεως ἢ ἐκ πάθους ἐπισυμβάντος, τὰς μορφὰς τῶν γραφομένων ἀποσημαίνοντες. Δεινοὶ δὲ ταῖς εἰς τὸ χεῖρον παρατροπαῖς τὸ ἐπαινετὸν διαπτύσαι, καὶ ἐκ τῆς γείτονος κακίας τὴν ἀρετὴν διαβαλεῖν. Θρασὺν μὲν γὰρ λέγουσι τὸν ἀνδρεῖον, ἀνάλγητον δὲ τὸν σώφρονα· τὸν δίκαιον ἀπηνῆ· κακοῦργον τὸν φρόνιμον. Καὶ τὸν μεγαλοπρεπῆ μὲν ὡς βάναυσον δια βάλλουσι, τὸν ἐλευθέριον δὲ ὡς ἄσωτον· πάλιν τὸν οἰκονομικὸν φειδωλόν. Καὶ ὅλως, πάντα τὰ τῆς ἀρε τῆς εἴδη οὐκ ἀπορεῖ παρ' αὐτοῖς ὀνόματος ἐκ τῆς ἀντικειμένης κακίας μετενεχθέντος.

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