John the Baptist
A woman now dances and blinds the feast and stupefies the tyrant with the unlawful spectacle.
For she had a braid of hair ensnaring the young, a lining of eyes tripping up those who look.
She smeared rouge on her virtues, and the hook was not portable to those she met.
She opened her mouth, and belched death from her tongue.
She bent back her neck, and the sight was a procurer of corruption.
She bared her breasts, and provided a view of Hades' gates to curious onlookers.
She bared her thighs, hitching up the tunic of varied spectacle from her feet, and dragons hissing from her loins advanced toward corruption for the theater.
And the nod was deceitful, the glance filthy, the voice corrupting, the movement soul-destroying, the kiss death-bearing.
Yet Herod, caught, swore to give whatever the wicked dancing-girl might ask.
'And she, having been instructed by her mother: "Give me," she says, "here on a platter the head of John the Baptist."'
Do you see how great is the woman-mad pleasure.
Do you perceive how much corruption enslaves the one caught, how he who has been made soft by drunkenness no longer knows the scepter, does not remember his authority, lies exposed as a plaything to all.
For what did the dancing-girl utter to him?
'Give me here forthwith on a platter the head of John the Baptist.'
But these are not the words of one entreating, but of one commanding; for she does not approach the king as a maiden with fear or shame or any restraint, but as a mistress to a servant, as one having authority over bonds to a prisoner.
'Give me,' she says, 'on a platter the head of John the Baptist.'
Let him not delay the request.
Here I require the slaughter of the prophet, here to accomplish the murder of the one who reproves the adultery.
Where you beheld my nakedness, here I exact punishment from her triumphing dancer.
"Give me John's head on a platter."
Herodias commanded it; the adulteress gave the order.
If you refuse, you lose the one who commits adultery with you, and your bed will lie empty after the wine.
I withdrew from the couch — with whom should I now associate?
The mother shames the corruption; John sounds the trumpet, and she respects the servants but fears the guard.
Through John's boldness, the queen becomes a scandal to all.
Everyone treats her fate as a tragedy, but John is its cause — he has moved every tongue to speak before acting.
He sounded the trumpet against us first, unafraid to raise a pillar of shame for the queen by speaking of her adultery.
Moses lies asleep, yet through him comes a voice: the Law sleeps, but John awakens it against us.
He calls the queen an adulteress, and has persuaded many to follow him, to become bold.
Greek
ἐπέπαττεν, καὶ τοῖς συναντῶσι τὸ ἄγκιστρον φορητὸν οὐκ ἐτύγχανεν. Ἤνοιγε τὸ στόμα, καὶ θάνατον ἐκ τῆς γλώττης ἠρεύγετο. Ἀνέκλα τὸν τρά χηλον, καὶ φθορᾶς ἡ θεωρία ἦν πρόξενος. Ἐγύμνου τὰ στέρνα, καὶ ᾅδου προπύλαια παρεῖχεν ὁρᾶν τοῖς περιέργως βλέπουσιν. Ἐγύμνου τοὺς μηροὺς ἀναστέλλουσα τῶν ποδῶν τῆς ποικίλης θεωρίας τὸ χιτώνιον, καὶ δράκοντες ἐκ τῶν λαγόνων συρίζοντες εἰς φθορὰν τῷ θεάτρῳ προήρχοντο. Καὶ ἦν τὸ νεῦμα δολερόν, τὸ βλέμμα ῥυπαρόν, φθοροποιὸν τὸ φθέγμα, ψυχοβλαβὲς τὸ κίνημα, θανατηφόρον τὸ φίλημα. 23 Πλὴν ὁ Ἡρῴδης ἁλοὺς δώσειν ὅπερ ἂν αἰτήσῃ τὸ πονηρὸν ὀρχήστριον ὤμοσεν. «Ἡ δὲ προβιβασθεῖσα ὑπὸ τῆς μητρὸς αὐτῆς· ∆ός μοι, φησίν, ὧδε ἐπὶ πίνακι τὴν κεφαλὴν Ἰωάννου τοῦ βαπτιστοῦ.» Ὁρᾷς ἡλίκον ἡ θηλυμανὴς ἡδονή. Αἰσθάνει πόσον ἡ φθορὰ τὸν ἁλόντα δουλοῖ, πῶς ὁ χαυνωθεὶς τῇ μέθῃ οὐκέτι τὸ σκῆπτρον οἶδεν, τῆς ἐξουσίας οὐ μέμνηται, πᾶσι πρό κειται παίγνιον. Τί γὰρ πρὸς αὐτὸν ἡ ὀρχήστρια ἐφθέγξατο; «∆ός μοι ὧδε ἐξαυτῆς ἐπὶ πίνακι τὴν κεφαλὴν Ἰωάννου τοῦ βαπτιστοῦ.» Ταῦτα δὲ οὐ παρακαλούσης, ἀλλ' ἐπιταττούσης τὰ ῥήματα· οὐ γὰρ ὡς κόρη τῷ βασιλεῖ μετὰ φόβου ἢ αἰδοῦς ἤ τινος ὑποστολῆς προσέρχεται, ἀλλ' ὡς οἰκέτῃ δέσποινα, ὡς δεσμώτῃ ἡ δεσμῶν ἐξουσίαν ἔχουσα. «∆ός μοι, φησίν, ἐπὶ πί νακι τὴν κεφαλὴν Ἰωάννου τοῦ βαπτιστοῦ.» Μὴ ἀναβάλῃ τὴν αἴτησιν. Ὧδε χρῄζω τῆς τοῦ προφήτου σφαγῆς, ἐνταῦθα πρα χθῆναι τὸν φόνον τοῦ τὴν μοιχείαν ἐλέγχοντος. Ὅπου τὴν ἐμὴν ἐθεώρησας γύμνωσιν, ὧδε τὸν ταύτης θριαμβευτὴν τιμωρίαν εἰσπράττομαι.» 24 «∆ός μοι τὴν Ἰωάννου κεφαλὴν ἐπὶ πίνακι»· Ἡρῳδιὰς γὰρ ἐκέλευσεν, ἡ μοιχαλὶς προσέταξεν· «Εἰ μὴ δῷς, οὐκ ἔχεις τὴν ἅμα σοὶ μοιχεύουσαν· ἡ κοίτη μετὰ τὸν οἶνόν σοι χηρεύσει. Ἀναχωρῶν ἀπὸ τῆς στιβάδος, τίνι συνέρχεσθαι; Ἀισχύνεται τὴν φθορὰν ἡ μήτηρ, Ἰωάννου σαλπίζοντος, αἰδεῖται τοὺς οἰκέ τας, τοὺς δορυφόρους ἐντρέπεται. Πᾶσιν ἡ βασιλὶς θρύλημα διὰ τὴν Ἰωάννου παρρησίαν 6 γίνεται. Πάντες αὐτῆς τραγῳ δοῦσι τὸ δρᾶμα, ὁ βαπτιστὴς δὲ τῆς τραγῳδίας αἴτιος τὴν γλῶσ σαν πάντων προπηδήσας ἐκίνησεν. Οὗτος τὴν σάλπιγγα καθ' ἡμῶν προεβάλετο· πρῶτος τὴν μοιχείαν οὐκ εὐλαβηθεὶς στηλι τεύειν τὴν βασιλίδα ἤρξατο. Μωυσῆς κοιμᾶται, καὶ δι' αὐτοῦ φθέγγεται· ὁ νόμος καθεύδει, Ἰωάννης δὲ αὐτὸν καθ' ἡμῶν ἐξ υπνίζει· τὴν βασιλίδα μοιχαλίδα καλεῖ, ἀκολουθεῖν δὲ πολλοὺς καὶ γενέσθαι τολμηροὺς προετρέψατο.»